Black History Month 2024

This is one of the first collections written by African women who were born and raised in Africa and are now teaching in the United States. The papers here focus on a variety of issues including the uses and abuses of female circumcision in global feminist discourse, the problem of the criminalization approach to eradicating female circumcision, the effect of the image of the victimized African woman on development policy, and gender imperialism as a metascript of domination and oppression and as encountered by African women in the academy. This volume also raises profound questions about the idea that a common anatomy can form the basis of sororal solidarity among women of different colors, cultures, classes, nations, and religions.

“The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, renowned scholar, cultural critic and feminist bell hooks offers a proactive new ethic for a society bereft with lovelessness--not the lack of romance, but the lack of care, compassion, and unity. People are divided, she declares, by society’s failure to provide a model for learning to love.

On May 2, 1973, Black Panther Assata Shakur (aka JoAnne Chesimard) lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that had claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder. This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm X and the works of Maya Angelou. Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.
In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past―memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.
Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

Black Bolshevik is the autobiography of Harry Haywood, the son of former slaves who became a leading member of the Communist Part USA and a pioneering theoretician on the Afro-American struggle.
The author’s first-hand accounts of the Chicago race riot of 1919, the Scottsboro Boys’ defense, communist work in the South, the Spanish Civil War, the battle against the revisionist betrayal of the Party, and other history-shaping events are must reading for all who are interested in Black history and the working class struggle.

Black Feeling, Black Talk/Black Judgement is one of the single most important volumes of modern African-American poetry. This book, electrifying generations with its revolutionary phrases and inspiring them with such Nikki Giovanni masterpieces as the lyrical "Nikki-Rosa" and the intimate "Knoxville, Tennessee," is the seminal volume of Nikki Giovanni's body of work. Black Feeling Black Talk/Black Judgement made Nikki Giovanni famous in 1968, and this reissue of her classic will enthrall those who have always adored her poems-and those who are just getting to know her work.
As a witness to three generations, Nikki Giovanni has perceptively and poetically recorded her observations of both the outside world and the gentle yet enigmatic territory of the self. When her poems first emerged from the Black Rights Movement in the late 1960s, she immediately became a celebrated and controversial poet of the era. Written in one of the most commanding voices to grace America's political and poetic landscape at the end of the twentieth century, Nikki Giovanni's poems embody the fearless passion and spirited wit for which she is beloved and revered.

A revolutionary work since its publication, Black Power exposed the depths of systemic racism in this country and provided a radical political framework for reform: true and lasting social change would only be accomplished through unity among African-Americans and their independence from the preexisting order. An eloquent document of the civil rights movement that remains a work of profound social relevance 50 years after it was first published.

Blood In My Eye was completed only days before it's author was killed. George Jackson died on August 21, 1971 at the hands of San Quentin prison guards during an alleged escape attempt. At eighteen, George Jackson was convicted of stealing seventy dollars from a gas station and was sentenced from one year to life. He was to spent the rest of his life -- eleven years-- in the California prison system, seven in solidary confinement. In prison he read widely and transformed himself into an activist and political theoretician who defined himself as a revolutionary.

From the acclaimed Nobel Prize winner--a powerful examination of our obsession with beauty and conformity that asks questions about race, class, and gender with characteristic subtly and grace. In Morrison's acclaimed first novel, Pecola Breedlove--an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others--prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment. Here, Morrison's writing is "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry" (The New York Times).

Originally published in 1980, Audre Lorde's The Cancer Journals offers a profoundly feminist analysis of her experience with breast cancer & a modified radical mastectomy. Moving between journal entry, memoir, & exposition, Lorde fuses the personal & political & refuses the silencing & invisibility that she experienced both as a woman facing her own death & as a woman coping with the loss of her breast. After Lorde died of cancer in 1992, women from all over the U.S. & beyond paid tribute to her in essays & poems.

A semi-autobiographical novel about John Grimes, a young man living in Harlem in the 1930s. His relationship with his strict preacher stepfather, Gabriel, who moved from the South to escape his past, and the role of the Pentecostal Church in the lives of African Americans, are central themes of the novel.

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed. Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil's name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr. But what Starr does--or does not--say could upend her community. It could also endanger her life.

How Capitalism Underdeveloped Black America is a classic study of the intersection of racism and class in the United States. It has become a standard text for courses in American politics and history, and has been central to the education of thousands of political activists since the 1980s. This edition is presented with a new foreword by Leith Mullings.

The image of the 'Welfare Queen' still dominates white America's perceptions of Black women. It is an image that also continues to shape our government's policies concerning Black women's reproductive decisions. Proposed legislation to alleviate poverty focuses on plans to deny benefits to children born to welfare mothers and to require insertion of birth-control implants as a condition of receiving aid. Meanwhile a booming fertility industry serves primarily infertile white couples. ... Roberts exposes America's systemic abuse of Black women's bodies, from slave masters' economic stake in bonded women's fertility to government programs that coerced thousands of poor black women into being sterilized as late as the 1970s. These abuses, Roberts argues, point not only to the degradation of Black motherhood but to the exclusion of Black women's reproductive needs from the feminist agenda.

As the United States celebrates the nation's "triumph over race" with the election of Barack Obama, the majority of young black men in major American cities are locked behind bars or have been labeled felons for life. Although Jim Crow laws have been wiped off the books, an astounding percentage of the African American community remains trapped in a subordinate status, much like their grandparents before them, who lived under an explicit system of control. In this ... critique, former litigator-turned-legal-scholar Michelle Alexander provocatively argues that we have not ended racial caste in America: we have simply redesigned it. Alexander shows that, by targeting black men and decimating communities of color, the U.S. criminal justice system functions as a contemporary system of racial control, even as it formally adheres to the principle of color blindness. The New Jim Crow challenges the civil rights community - and all of us - to place mass incarceration at the forefront of a new movement for racial justice in America.

Pulitzer Prize–winning novelist Toni Morrison brings the genius of a master writer to this personal inquiry into the significance of African-Americans in the American literary imagination. Her goal, she states at the outset, is to “put forth an argument for extending the study of American literature…draw a map, so to speak, of a critical geography and use that map to open as much space for discovery, intellectual adventure, and close exploration as did the original charting of the New World—without the mandate for conquest.”
Author of Beloved, The Bluest Eye, Song of Solomon, and other vivid portrayals of black American experience, Morrison ponders the effect that living in a historically racialized society has had on American writing in the nineteenth and twentieth centuries. She argues that race has become a metaphor, a way of referring to forces, events, and forms of social decay, economic division, and human panic. Her compelling point is that the central characteristics of American literature individualism, masculinity, the insistence upon innocence coupled to an obsession with figurations of death and hell—are responses to a dark and abiding Africanist presence.
Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a daring perspective that is sure to alter conventional notions about American literature. She considers Willa Cather and the impact of race on concept and plot; turns to Poe, Hawthorne, and Melville to examine the black force that figures so significantly in the literature of early America; and discusses the implications of the Africanist presence at the heart of Huckleberry Finn. A final chapter on Ernest Hemingway is a brilliant exposition of the racial subtext that glimmers beneath the surface plots of his fiction.

Head of the Student Non-Violent Coordinating Committee. Honorary prime minister of the Black Panther Party. Bestselling author. Stokely Carmichael (Kwame Ture) is an American legend, one whose work as a civil rights leader fundamentally altered the course of history—and our understanding of Pan-Africanism today. Ready for Revolution recounts the extraordinary course of Carmichael's life, from his Trinidadian youth to his consciousness-raising years in Harlem to his rise as the patriarch of the Black Power movement.
In his own words, Carmichael tells the story of his fight for social justice with candor, wit, and passion—and a cast of luminaries that includes James Baldwin, Toni Morrison, Bayard Rustin, Martin Luther King, Jr., Rosa Parks, Malcolm X, Ho Chi Minh, and Fidel Castro, among others. Carmichael's personal testimony captures the pulse of the cultural upheavals that characterize the modern world. This landmark, posthumously published autobiography reintroduces us to a man whose love of freedom fueled his fight for revolution to the end.

Maleeka suffers every day from the taunts of the other kids in her class. If they're not getting at her about her homemade clothes or her good grades, it's about her dark, black skin. When a new teacher, whose face is blotched with a startling white patch, starts at their school, Maleeka can see there is bound to be trouble for her too. But the new teacher's attitude surprises Maleeka. Miss Saunders loves the skin she's in. Can Maleeka learn to do the same?

Some of Us Did Not Die brings together a rich sampling of the late poet June Jordan's prose writings. The essays in this collection, which include her last writings and span the length of her extraordinary career, reveal Jordan as an incisive analyst of the personal and public costs of remaining committed to the ideal and practice of democracy. Willing to venture into the most painful contradictions of American culture and politics, Jordan comes back with lyrical honesty, wit, and wide-ranging intelligence in these accounts of her reckoning with life as a teacher, poet, activist, and citizen.

On April 24, 2004, activists from across the globe will gather in Philadelphia and San Francisco to honor the 50th birthday of Mumia Abu-Jamal--his 22nd spent on death row. The world's most renowned political prisoner, Mumia was only 15 when he helped found the first Philadelphia branch of the Black Panther Party. Now in his latest and most political book to date, We Want Freedom: A Life in the Black Panther Party, this incisive social commentator reexamines his days in one of the most misunderstood revolutionary groups in U.S. history.
With a poetic voice and critical gaze, We Want Freedom combines memories of day-to-day life in the Party with rigorous analysis of the Black liberation struggle. Mumia challenges historians who claim that only the civil rights model was authentic, positioning the BPP as an ahistorical aberration. He brilliantly locates the Party in a centuries-long tradition of Black resistance, a legacy articulated in Kathleen Cleaver's sharp introduction as a "disfavored history." The roots of today's struggles are brought to the surface time and again as Mumia examines the long history of resistance to slavery, racial politics in Philadelphia, and the FBI's subversion of justice through COINTELPRO and earlier operations.
In an open, conversational style Mumia also remembers his personal experience as a Party member, placing the reader in the life of the average Black Panther. While many books on the BPP focus on the icons of the Party, We Want Freedom conveys the everyday grit, love, and dedication of the tens of thousands who called themselves Panthers.
An award-winning journalist, Mumia began his writing career as Lieutenant Minister of Information for the Philadelphia branch and for the Party's national newspaper. Speaking of Mumia, Alice Walker describes him as "a rare and courageous voice speaking from a place we fear to know." He is regularly heard on a network of over 150 radio stations and at Prisonradio.org. In 2003 Mumia was declared a Citizen of Paris, an award not accorded since the city bestowed it upon Pablo Picasso in 1971.